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GLOBALISATION

The concept of globalisation as the move towards an integrating global village is in real sense re-globalisation if the continental drifts billions of years ago are thought of as de-globalisation (fracturing of the structure of an otherwise unified globe) and if we uphold as serious the compartmentalisation of a human society that is only separated by distance that is possible to conquer especially in the era of technology.

The Columbus incursions and the exploration of ‘other’ worlds by men from the Centre set the agenda for re-globalisation. Trade; Religious activity; Exploration; Colonialism advanced this process. The post war period with the loose union of global states through the United Nations served to accelerate this re-globalisation (the Centre will however maintain the term globalisation to suit contemporary speak).

With globalisation the polarisation of the globe into the Centre and the other was instrumental to the coinage of the term World beat/World music, which essentially referred to Non-Western music. This is a categorisation that was meant to handle the problematic of the heterogeneity of musical traditions from the Non-Western hemisphere.

The earlier processes of globalisation (in particular Slave trade) had taken African music to new lands where it was restructured into new genres like Jazz, Reggae and Rap that emerged later on. In the Caribbean the Afro Cuban sound was a globule of what became African contribution to world music with an impact that has hardly been matched to this day. In this diverse world that is imagined as a village through the media, the evolution of African popular music into new forms of music with broader traditions such as the replacement of locally made instruments with synthesisers has been a consequence of this process.

It is not uncommon to find musicians whose tradition has been playing the Xylophone replacing it with the Glockenspiel. The fact that Globalisation offers credible alternatives is in itself a plausible route for deconstructing existing binaries in global relations. Globalisation occurs with a double edge for African popular music and in many instances has provided better options for the industry though purists contend its agenda. It is in this section that this reality is discussed.

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